Similar subjects
were analyse in F. A. Hayek’s “The Sensory Order”, where he stated that “There
exists, therefore, no one to one correspondence between the kinds (or the physical
properties) of the different physical stimuli and the dimensions in which they
can vary, on one hand, and the different kinds of sensory qualities which they
produce and their various dimensions on the other”. This formulation can be
taken as an enunciation of the Hayekian critic to the Cartesian Dualism, which
he would later refer to in Law, Legislation and Liberty. That is why “The
Sensory Order” cannot be just regarded as a book on theoretical psychology. It
is a book concerning how a system of information can adapt to its environment despite
it does not carry completely accurate information about it –just the degree of accuracy it needs to
survive and reproduce.
We can
recognize continuity –although heterogeneous continuity- along Hayek’s works.
In his celebrated paper “The Use of Knowledge in Society”, he remarks that it
does not matter if the rise in the price of a commodity may obey to an increasing
demand or a falling supply of it –in any case, an increasing relative scarcity-
and that it is relevant that it does not matter at all. The decisions of the
economic agents are taken on the base of profits and losses, disregarding the
subjacent movements in the supply and demand of commodities that caused the
change in the relative scarcities of them. That is how a social system can
survive and adapt to the changes of its environment, allocating its resources
spontaneously, although none of its members can achieve a complete knowledge of
the variables operating on it. The same as we enjoy a work of art by Turner or
the time we spend with our friends, ignoring the secret resorts that make them
so attractive to us.Saturday, 1 December 2012
Turner & Goethe
In the basement
of Tate Britain Gallery one can find the studies of vision by J. M. W. Turner,
regarding on how to produce on the eye of the observer a sensation of colour by
just printing onto a lithography a set of tiny black lines, one close to
another, leaving a white background. The eye, as a perception device, does not
register each black fine line, but receives a spectrum of different colours from
the decomposed white background, cut by the said black lines. In that exhibition
you are learnt that, at the same time, J. W. Goethe was also studying this kind
of phenomena. In fact, he wrote two books related to the matter: one essay, “Theory
of Colours” (Zur Farbenlehre) and one
novel “Elective Affinities” (Die Wahlverwandtschaften) –the latter concerning how chemistry has
influence over human passions and institutions.
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